Sheryl Sandberg did humanity, especially the women, a big favor by taking a film crew to Israel and recording on tape how “a lie for every occasion” is put together in that jurisdiction.
It is that
she, and other women, were made to participate in an earlier lie about Jewish
women being violently raped by Hamas soldiers, and when the truth was revealed,
Sandberg was asked to backtrack and help uncover the full truth. She did that …
but not because she wanted to.
To illustrate
how lies are fabricated in Israel, I first need to tell the real story of what happened
when I was taking a course in practical filmmaking, and the professor had asked
that each of us make a short student film based on an idea. One of the students
made what was considered the best film. Here is what he did:
He chose to
illustrate the idea that when you have a mishap and get hurt, the memory of
what happened plagues you for a time after that, forcing you to live in fear.
To that end, the filmmaker began telling a fictitious story by showing a boy who
was skating normally, suddenly trip and fall flat on his face.
For a time,
the boy in the film, developed a condition that made him see a monster attack
him — every time that he looked at a skateboard. To emphasize this point, the
filmmaker showed the boy trying to live a normal life, while reminding the
audience that all was not well with him. The filmmaker did that by returning
every minute or so to showing the scene of the skateboard becoming a scary monster.
Well, my
friend, you see the use of a similar trick in the story that Sheryl Sandberg had
been propagating till she shot herself in the foot thus opened the can of worms
that killed the big Jewish lie once and for all. To see how this happened, we
first look at the false accusations that the Jews leveled against Hamas weeks
ago. It all began with the testimony of a Jewish male who said he saw a Hamas soldier
rape one Jewish woman and kill another. Call this, the first hearsay account of
what did not happened.
Their
plumage now ruffled by so amateurish a performance, the Jewish dodos of America
and Israel, called on the best in filmmaking they had, and asked them to rescue
the big lie from going the way of the dinosaurs. They stitched together a false
account that was also based on hearsay and no showing of a victim.
Gripped by
the idea that their solemn duty was to give Netanyahu an excuse to complete the
genocidal plan of exterminating the Palestinians and taking their land, the
dodos made of “Hamas Violence” the central piece of their falsification.
Like the
skateboard in the fictitious story becoming a monster every minute or so, to
say that all was not well with the boy, the dodos had the narrators of hearsay repeat,
every once in a while, that the Hamas soldier raping the Jewish woman had a gun
in his hand at all time.
It is that
if you take the Hamas gun out of the story, it would be near to impossible
justifying, even by Jewish logic, the killing of a hundred Palestinians in
their schools and refugee camps — which is what Netanyahu does every time that
the Israel Terror Force (ITF) loses one of its butchers to a friendly fire or loses
them in a legitimate combat.
What may be
proven someday is that a sexual encounter of some kind took place between a
Palestinian male and a Jewish female. This can be brought to light by showing
the woman that made the allegation telling her own story. In any case, the
indications so far, are to the effect that the encounter was not sexual by Bill
Clinton’s definition of the word.
As to the
amount of violence that was said to have been involved, the lack of sadism and
masochism would bring tears to Donald Trump who is used to a different kind of
sexual encounters.
The reality is that Sheryl Sandberg has managed to portray the Hamas soldier as being a model of self control and restraint even when facing a situation that would drive other men to the limit of madness such as those that used to haunt The Marquis de Sade.