Like many of his “dual” compatriots, Daniel Pipes has found
a way to make America 's
taxpayers pay for the high life he leads while serving the interests of Israel .
The way that he serves Israel
is by getting acquainted with every character in Israel that's above the level of
ordinary pedestrian, and learning all about their thinking. Doing this with
every rising star on Israel's list of who's who, Pipes develops the arguments
he uses to “educate” the American elites as well as the public on how to
sacrifice America's interests to better serve those of Israel.
Thus, you may think of Pipes as being the quintessential
Zionist Jew; the heart and soul of the Jewish American establishment. When you
hear him speak, you should remain alert to the fact that however extreme his
views may sound, he is expressing the mainstream views of the New-York/Tel-Aviv
axis of horror that's in charge of designing and executing America 's
foreign policy.
If you want to know how much horror is packed in the
philosophy adhered to by this crowd, recall that Daniel Pipes expressed in
writing his delight that the Arabs were killing each other in the Syrian civil
war. He made it clear he wished that the combatants would not stop fighting till
they exterminated each other completely.
With this in mind, you should now read the article that
Daniel Pipes wrote under the title: “Italy 's apocalypse” and the
subtitle: “As they lose their culture to waves of immigrants, Italians simply
deny.” It was published on November 1, 2017 in The Washington Times.
With regard to that title, it was a minister of the Italian
government that first used the word apocalypse to describe what's happening
demographically in her country as a result of the declining rate of birth. Even
though Pipes admits that to remedy the problem, some jurisdictions in Italy
“responded by offering cash to induce immigrants to settle there,” he chose to
use the word apocalypse – not in the context that was intended by the minister
– but to describe what he regards as the nefarious influence the immigrants are
exerting on the culture and quality of life in Italy.
The author used several paragraphs to elaborate on those
points and then, true to form, the man who expressed delight that the Arabs
were killing each other in the Syrian civil war, ended his article like this:
“What will it take for the Italians to wake up and begin to deal with the
civilizational catastrophe facing their uniquely attractive culture? My guess:
A major jihadi attack in Rome .”
No, that's not his guess; it is his wish. This man, Daniel Pipes, is so sick,
if his disease were made of water, it would flow like a raging river.
But how can someone be like that? Well, to answer that
question, we look at the way that the author elaborates on the subject; doing
what he and his likes describe as connecting the dots. He first observes that
Muslims ruled Sicily
– which is a Southern Italian island – for five centuries but are out of there
now. So, Daniel Pipes reckons that the Muslims will want it back. It is his
hunch; one of the dots to connect.
For this reason, and because Rome is the seat of the
Catholic Church, the Muslims will most likely commit a violent jihadi act in
that city, he says. That would be another hunch and a new dot to connect. But
we must ask: could this be what motivated Pipes to end his article by wishing
that the jihadis would do just that? Did Pipes believe that a violent act will
wake up the people of Italy
who will get on with the business of making babies, thus alleviate the
country's demographic deficiency? What a sick sense of humor!
Still, until this happens, if it ever does, Daniel Pipes
remains pessimistic about Italy
because he says that when you combine the Muslim designs for the country with
the demographic apocalypse it is facing, you end up with “a civilizational
crisis in Italy ”.
To illustrate his point, he describes what he calls a
vignette he witnessed while visiting Italy . It goes like this: “A statue
is surrounded by four benches. Seven elderly Italian women squeeze onto one
bench while eight African men spread out on the other three benches”.
And the lesson he draws is that: “This scene summed up both
mutual distaste and the migrants' abundant sense of superiority,” whatever that
means.