Friday, January 31, 2014

Lying by Telling Half the Truth

Anyone that has been a child -- that's all of us – or anyone that forgot what it was like to be a child but has seen one lately knows that lying is written into our DNA. In fact, anyone that has studied the behavior of animals (from the mother bird that feigns being lame to lure a predator away from the nest where her young lay helpless, to the monkey that sneaks away from the dominant aging male to have sex with a younger male then returns to the troupe where she enjoys the protection of the aging male) realizes that to lie is to practice an essential component in the strategy for survival.

Which is why it is kinda funny – if I'm not lying – to read Victor Davis Hanson's essay on lying. He gave it the title: “The Poison of Postmodern Lying” and the subtitle: “When truth is relative, political expediency becomes the truth.” It was published on January 30, 2014 in National Review Online. As can be seen already, even if the title suggests this is a discussion on lying in general, the subtitle limits it to the political arena which is a lie in itself because it pretends that only politicians tell lies. And so, we can draw the early conclusion that to tell half the truth is to tell a lie. Call it a half-lie if you wish but it is a lie nevertheless.

To go from here to the examples he has in mind and discusses in detail, Hanson gets into a kind of intellectual gymnastics that would tax any mind. He makes it clear in the first paragraph that political lying is the result of the “relativism that infects our entire culture.” And this is happening, he says, because the current cultural fad is to attack the idea of having rules, a posture that regards the “truth” as being a fiction. And this is a bad idea, says he, because it can poison an entire society which is what is happening now.

This done, he picks on three women of the Left: Wendy Davis, Elizabeth Warren and Hillary Clinton, and tells about their lies. He also picks on one man, James Clapper, who lied to protect the Muslims. And he picks on another male, President Barack Obama, the one he will never stop attacking even if he – by some magic – could prove he has the ability to turn water into wine. And so you wonder if Hanson knew of people, be they women or men, from the Right who might have lied to enhance their image, not to protect someone like the Muslims.

Of Wendy Davis, he says that she is promoting a feminist agenda. Of Elizabeth Warren, he says that she is promoting a progressive agenda. In both cases, the women took liberty with the truth, he says, because they view their causes as serving the greater truth of social change. The same goes for the President of the United States whose good intention of having a universal health care trumped all other considerations, including telling the truth that his plan will alter the existing plans.

As to Hillary Clinton, he says that she did not believe the surge in Iraq was working because the war itself was unpopular therefore to say that the surge was working was reduced to a narrative that was competed against by an opposing narrative. She also dismissed the circumstances surrounding the Benghazi events – lie or no lie – because her good intention was to oppose religious bias and help re-elect a progressive president.

And when it comes to James Clapper, he not only lied to the American people about snooping on them, he lied under oath to the Congress which is supposed to be a greater sin. Yes, this may be the case, but not if you consider, as he did, that he was silencing Obama's right-wing critics. Also, when he said the Muslim Brotherhood was largely secular, he was showing tolerance for Islamists. How can that be a bad thing?

This done, Victor Hanson contrasts the difficulty of judging the validity of a work of art which would be a subjective exercise against the certainty of math and science whose theories can be proved or disproved by experiments.

Which leaves us with the question: How to judge the validity of the Hanson essay? Can we call it a work of art because it depends a great deal on subjective arguments? Or can we call it a science experiment that failed because the math does not add up in the sense that he attacks many considered to be on the Left, but none considered to be on the Right?

He might have demonstrated that you can lie simply by telling half the truth.